Showing posts with label literary agents. Show all posts
Showing posts with label literary agents. Show all posts

Saturday, May 30, 2020

Agents of the Literary Kind, Part 3: When Should I Look for an Agent?

In our previous posts in this series, we learned what an agent is and what this advocate can do for you, and we determined that you do need an agent for your current writing project. The next question is: 


When Am I Ready for an Agent?
When should you start looking for this important business partner?


Short Answer: When you have a completed manuscript


Longer Answer: You're ready when you have completed the following three items: 


  •  A completed manuscript ready for submission to a publisher. This means...
    • You have edited your manuscript at least twice
    • Your manuscript is formatted in standard style: Courier 12 font (Times New Roman will do , too), double-spaced. The agent may ask for something else, but having a standard copy allows you to quickly make changes as needed.
    • The manuscript has gone through an outside review, and you've incorporated the comments. This outside review may include any or all of the following:
      • Reading by a critique group, preferably writers who know your genre and have given you feedback;
      • Entering a writing contest in your genre where judges give feedback;
      • Reading by at least three fellow authors who have given you feedback;
      • Editing by a professional editor and/or proofreader whom you've hired to provide feedback.

The more eyes the better, 

the more editing the better, 

the more rewrites the better. 


But Wait! There's More!

  •  Your reading market(s) identified
    • You've read extensively in the book market(s)
    • You can describe how your book fits into the market(s)
Yes, of course you've written a unique work, but your book must match a readership, so you can pick the RIGHT agent, and the agent can submit it to the RIGHT publishers. Agent also have their own reading and selling preferences, experience, and contacts. When you begin your search in earnest, matching your work to the agent's preference will be critical. 
  • Your marketing pieces written for submission
During the submission process, different agents will ask for different marketing pieces, depending on the agent and their agency's preferences and the preferences of the editors with whom they deal. I'll be blogging on these important tools in the future. For now, if you don't know how to craft these vital marketing pieces, start looking on the Internet for blogs and articles; there is plenty of help out there. In order of importance, your marketing pieces are:

  • 5- to 7-page Synopsis
  • Query Letter
  • 150- to 200-word Back Cover Copy
  • 3-line Elevator Speech/Pitch
  • One-line Pitch/Log Line

Do you have your edited and formatted manuscript completed, the book market(s) identified, and your marketing tools written? You do?


You're ready to search for your agent!

 

Related Posts:

Thursday, May 9, 2019

Agents of the Literary Kind, Part 2: Do I Need An Agent?

Do I need an agent?

For writers just wading into the Tides of Publishing, this is a popular question and an important one.

The quick answer... Depends.

Before you ask "Do I need an agent?", the questions to ponder first are "Do I want to publish traditionally with a big name publisher? Would I rather work with a traditional small, independent press? Or do I want to strike out on my own and self-publish? Or a little of all three?"

From TheRoadLessWritten.com

The Vote for Traditional, Larger Publishing Houses

These publishing houses have familiar names and publish hundreds of books a year. In the romance genre, these are publishers like Harlequin, Berkley, Kensington, and Revell. As an author, you work with a house editor who helps you polish your manuscript into final publication form. Then the production, marketing and sales departments take over to design a cover, write cover copy, decide how many copies to print and whether to publish electronically, create a marketing campaign, and distribute your book to book stores, both brick-and-mortar and online. Go traditional if:

  • You write slowly. In the industry, this means completing one salable manuscript every one to two years. (We'll talk about "fast" later.)
  • You want to write and let someone else take care of the business aspects of publishing:  cover design, ad copy, inventory, distribution, sales, and marketing. You just want to see the advance check and the royalties.
  • You're content to let go of all control over your literary "baby" once you've finished the editorial work. 
  • You're not willing to pay out the money to create your own business team; you're more than happy for the publisher to take all the financial risk. 
  • The project you're writing is really suited to a larger publisher. It has a broad appeal, and you'd like book to have some real push behind it in the marketplace.
  • You have self-published a few books, but feel you don't have enough name recognition to increase sales without a lot of effort.
If many of these describe you, then traditional publishing with a large house may be the right choice for you. And if so, the answer to the agent question is YES, definitely. There is only one large, traditional publisher (Harlequin, and only in their Series lines) who will often open up for un-agented submissions. For everyone else in the Romance world, you will need an agent.

The Vote for Traditional, Small/Independent Publishing Houses

These publishing houses may have less familiar names and publish a smaller number of books each year. Some of these publishers produce eBooks only. You'll still work with a house editor. But the business side of the house may be much smaller, and you might be asked to write back cover copy and do much of the marketing yourself or in concert with the publishers' other authors. Distribution may consist of only online retailers, and you may be responsible for placing books in brick-and-mortar stores. The publisher may pay royalties only and no advance. Go traditional small press if:
  • You still want an editor to help polish your book and shepherd it through production and other services the house might offer. You'd be happy to jump in to do more marketing and help with distribution.
  • You'd like to have some say in the cover design and other business decisions, even if you don't do all the work.
  • You want to have something published fairly quickly, and many smaller houses can get books into the marketplace in under six months.
  • You're still learning the ropes of publishing, and you see a small publisher as a learning opportunity as well as a business one. 
  • You don't need an advance; you'll be happy with any royalties that come your way.
The answer to the agent question is probably NO. Many of these smaller houses do not require an agent for submissions. Before submitting, do check with the publisher you're considering.

The Vote for Self-Publishing (read, You Become a Publishing House)

The wonderful news is that we authors now have opportunities to publish our own work. Mind you, Kindle Direct Publishing at Amazon, IngramSpark, Lulu, Barnes and Noble Press and other online companies who help you self-publish do NOT publish. They produce your book (either in print or digital format), and they provide retail distribution. All of the other parts of creating a book: editing, cover design, interior text design, writing the back cover copy, marketing, advertising, inventory, and any distribution channels you want to add (like brick-and-mortar stores in most cases) are your responsibility -- in time, effort and money.  To self-publish and be financially successful (you will need to define what "financially successful" means to you), the following are probably true:
  • You write quickly. In the industry, this means completing at least two salable manuscripts every year.
  • You want to write, take care of business, and have control over the entire book creation process from idea to marketing. 
  • There will be no advance check. In fact, you will either do the work yourself or invest money to create your own business team; find and hire an editor, proofreader, cover and interior text designer; and coordinate a marketing campaign and advertising.
  • You've made a study of what's hot in your genre, and your story is a good fit for those readers. You're writing the type of story that has high appeal -- and you know just how you'll market to your target audience.
  • You want to learn as much as you can about your craft and as much about the publishing industry as you can. The whole package feels like the right fit for you. 
Need an agent to self-publish? NO, definitely not. 

Now you have something to ponder before you decide whether to get an agent. These decisions are not easy, but your choices are about your life and how you want to live it, so don't rush the pondering. You'll thank yourself later.  

So, what did I decide? Next month, I'll talk about my choices to become a blended (hybrid) author.

Related Post: Agents of the Literary Kind, Part 1: What Is An Agent?

Tuesday, February 19, 2019

Agents of the Literary Kind, Part 1: What is an Agent?

What is an Agent?
When I worked as a reference librarian, a question like this deserved at least three questions from me to make sure I understood what the person in front of me needed to know.  I might respond with:

"Is that an agent like a 007 spy or a travel guide or an IRS worker?"  OR
"There are a lot of different agents. Tell me a little more about what you're thinking."

Response: "I'm writing a book, and I want to know if I need an agent."

Me (in Librarian mode, already switching mental gears to Literary Agent) : "And is the book non-fiction or fiction?"

Response: "Fiction."

Me (my patron seems a bit shy, so one more question will do it.): "Is it genre fiction, like mystery or romance, or something more general?

Response: "See, it's a Western, but there's an alien invasion..."

And finally the flood gates open, and I've got a solid idea of what resources will best help. As we're walking to the correct shelf in the library or while I'm doing a search in the online resources, the writer continues to share the story enthusiastically, sharing information along the way.

What is a Literary Agent?

  • A gatekeeper who matches authors and books to editors at publishing houses. This means building strong professional relationships and networking with people throughout the publishing industry.
  • A specialist in an area of book publishing - non-fiction, children's books, genre fiction (like mystery, fantasy, romance, etc.), literary prose, memoirs. Name it, and there are agents who specialize in that type of book. 
  • A solid editor and critique giver to help the writer produce a manuscript with the best chance of selling in the marketplace. 
  • An author's business partner who is paid on commission to sell the author's work. The author and agent are literal partners - the author provides a product to sell and the agent sells it.
  • A cheerleader, a soother, a pusher or a hands-off kind of person. Whatever the author needs to produce quality writing on a regular basis, keeping both agent and author in the money.
  • A career and strategy guide. Together, the agent and author create a business and writing plan so the author can create the best writing life for success and the agent can promote and sell the work on a schedule that fits the author's rhythm and style.
  • A savvy contract negotiator, dealing with all the pesky details of a publishing contract, who knows about copyrights and licensing rights, senses when and how to push for that 3-book deal, and always balances the author's long- and short-term goals. 
I'm in awe. I certainly wouldn't want the job, but I know that I do need an agent. 

Why? See Part 2 of this series on Agents of the Literary Kind.

Have a great day!